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Posts tagged ‘music’

Fau/ty sound night 2012

January 25th, 2013

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FAULTY SOUND NIGHT 2012 IS AT CAPACITY!

Check Eventbrite for Cancellations: http://faultysoundart.eventbrite.com/

Faulty Dog present the 2nd FAULTY sound art night as part of the Brighton Digital Festival on Thursday 27th September @ Northern Lights. Expect strange and immersive experimental LIVE sound and video as 5 performers bend your perception of acoustic and digital sound. LUMO, Krill & Captain Kelp, MAFF the ROM + C-BA perform live manipulation of sound, samples, loops, vocals, hacked instruments and video processing. Faulty Dog is proud to welcome our headline C-BA from across the water in Belgium for this one-off spectacular AV treat. Relax, have an Akvavit and open your mind upstairs at Brighton’s fantastic Scandinavian bar, Northern Lights. This will be a night of intimate sound and visual performance.

Thursday 27th September. Upstairs @ Northern Lights
6 Little East Street, Brighton BN1 1HT


Breaking news @Maff_Faulty



Brighton Digital Festival 2012
FAULTY Sound Art Night>>
Thursday 27th September>>
Upstairs @ Northern Lights>>
6 Little East Street, Brighton BN1 1HT.

Casio PT-50 translated

January 11th, 2010

Inspired by the Colour of Sound Weekend I dug out my old Casio PT-50 childhood keyboard with the idea of bringing my toy of the 80′s into the 10′s. I knew she would come in handy one day so was stored with my other nostalgic 80′s electronica. Despite a few dodgy slider contacts no doubt clogged from 3 decades of forgotten toy cupboard dust, with a new set of batteries and a good shake the PT-50 was ready to be wacked into the mac to see how she fared in a new digital age. And I must say, even just using Garageband for a bit of extra echo, reverb and fuzzbox it actually sounds half decent! And so, research pointed me to the idea of Circuit Bending where I found an example of that very keyboard…

Reed Ghazala – self styled multi media artist, hailed as the Father of Circuit-Bending, pioneered the transformation of the existing circuitry of basically any sound making toy or device. His other-worldly creations, controlled by transplanted switches, movement and sound itself saw a new kind of instrument genre. Musical artists such as Tom Waits, Peter Gabriel, Faust & Towa Tei wishing to push musical boundaries were quick to commission instruments for themselves.

The legacy continues… poor teletubby

Subversion & the Subliminal

January 6th, 2010

James Vicary was a market researcher, best known for popularizing the notion of subliminal advertising in 1957. He used a movie theatre in Fort Lee, New Jersey he tested subliminal messaging on over 45,000 movie goers over a 6 week period. While the patrons watched a movie (called Picnic) Vicary displayed 2 subliminal messages – ‘Eat Popcorn’ and ‘Drink Coca-Cola’. The messages were text based subliminal messages and were displayed much faster than the human eye can see – they flashed on the screen for 3/1000s of 1 second – and they were displayed once every 5 seconds. Results were taken by comparing the current 6 weeks sales of Coca Cola and popcorn to sales figures from the previous 6 weeks. The difference was phenomenal:
Popcorn sales had risen by 57%
Coca Cola sales rose by 18.1%
These figures suprised even Vicary himself. At the time the findings caused somewhat of a hysteria, further research started to be done into the influence of subliminal messages, and they were soon banned from being used within advertisements. However no detailed study of his findings was released and no independent evidence turned up to support his claim. Eventually, in 1962, Vicary admitted that the original study was fabricated.

Khaled Sanadzadeh recalls an interesting story of unnoticed musical subversion in the 1980s – ‘The strange case of Western electronica and psychadelia being beamed out into every home across Iran at it’s most anti-western extreme’. It was the 1980s. Iran was at war with Iraq. Officials were encouraging youths to go to the front defending their country. Residents of Iran dealt with planes that were dropping bombs on them. These bombs were made in the USA and the chemical ones were from West Germany. Iranians had strong revolutionary feelings. They had denied westernization just few years before that. In such a situation, to endorse the West and its culture was an unforgivable sin. However, somewhere at the heart of the anti-West propaganda machine, Iranian TV and radio, weird happenings were taking place.’
‘For a long time, no singer appeared on Iranian TV or sang on the radio. They always used instrumental music in between or at the beginning of their programmes. In the mornings, there were educational programmes about physics, chemistry and biology. The afternoon was the time of war-propaganda and soldiers’ happy faces going to fight with an evil creature called Saddam Hussein were shown. At night, it was the news and stories of successes of Iranian army. Since Mozart and Beethoven’s pieces did not fit these subjects, and people were fed up with Iranian traditional music, they opted to utilize other things; electronic and ambient tunes… There was a programme called ‘The Analysis of the Week’s Politics’ on Iranian TV and they occasionally talked about Germany and France helping Iraq in the war. The sound themes were works of Klaus Shulze and Jean Michel Jarre!’